LES BACCHANTES BY PHILIPPE WOLFERS
LES BACCHANTES
BY PHILIPPE WOLFERS
Description
Marble sculpture « Les Bacchantes » by the Belgian artist Philippe Wolfers.
Sold to a private collection.
Dimensions
-
- Height: 50 cm
- Width: 29,5 cm
- Depth: 20 cm
Material
-
- White Carrara marble
LO SPAZZACAMINO BY DONATO BARCAGLI
LO SPAZZACAMINO
BY DONATO BARCAGLI
Description
The present marble exemplifies Barcaglia’s preoccupation with beautifully carved and highly realistic genre subjects. A poor boy in worn clothes with his handmade broom under the left arm and a scraper under his right arm, takes his lunch break. There is a piece of bread close to him on the couch. Meanwhile he sews a loose button on his vest
The realistic depicted worn clothes with holes and repairs. His far too small shoes where his heels pierce. The sculptor’s virtuoso treatment of marble is showcased in the naturalistic detail of the boy’s clothes and shoes, and the moss growing on the base. A variant of the model, in which the boy is polishing his shoe, is a popular feature in Paddington Gardens in Marylebone.
The italian sculptor Donato Barcaglia (1849 – 1930)
Donato Barcaglia (1849 – 1930), born in Pavia, trained in Milan and Rome. During a period of outstanding technical accomplishment in marble carving, Barcaglia was renowned for the exceptional quality of his work in this medium. The last vestiges of neoclassicism which influenced his early work were soon replaced by a personal form of verismo. Following early successes such as his Vendemmiatore, which he sculpted at the tender age of seventeen and which was installed in the Palazzo Reale in Milan, the sculptor exhibited to great acclaim in Europe and America. His work brought him to exhibitions as far afield as Boston, Philadelphia, and Buenos Aires. Far from turning his back on his native Italy, Barcaglia executed several public monuments for Milan and its surrounding cities.
Material:
-
- White Carrara marble
Dimensions:
-
- Height : 111,00 cm
- Base : 46,00 x 42,00 cm
BUST OF A YOUNG WOMAN LOOKING TO THE RIGHT BY ALFRED COURTENS
BUST OF A YOUNG WOMAN LOOKING TO THE RIGHT BY ALFRED COURTENS
Description
Sculpture in white Carrara marble by Alfred Courtens.
Material:
-
- Sculpture : White Carrara marble.
- Original Column : Walnut Root and tablet in “Noir de Mazy” marble
Dimensions:
-
- Height : 72,00 cm.
- Width x Lenght : 52,00 x 35,50 cm
Period:
-
- ca. 1920
SEATED NUDE WITH SHOE BY CHARLES SAMUEL
SEATED NUDE WITH SHOE
BY CHARLES SAMUEL
Description
White marble sculpture by Charles Samuel (1862-1939).
Material:
-
- White Carrara marble.
Dimensions:
-
- Height : 68,50 cm
- Length x Width : 55,00 x 29,50 cm
Period :
-
- ca. 1925
THE BUMBLEBEE BY CHARLES-AUGUSTE FRAIKIN
THE BUMBLEBEE
BY CHARLES-AUGUSTE FRAIKIN
Description:
White Carrara marble sculpture by Charles-Auguste Fraikin (1817 – 1893).
Material:
-
- Sculpture : White Carrara marble.
- Original Column : Wood painted in marble “Trompe l’oeil.
Dimensions:
-
- Height : 74,00 cm
- Lenght x Width : 60,00 x 38,00 cm
Period:
-
- ca. 1920
PORTRAIT OF A STANDING GENTLEMAN BY GUILLAUME GEEFS
PORTRAIT OF A STANDING GENTLEMAN
BY GUILLAUME GEEFS
Material:
-
- Sculpture : White Carrara marble.
- Original Column : Wooden column
Dimensions:
-
- Height : 111,00 cm
- Length x Width : 45,00 x 38,50 cm
Period:
-
- 1873
NIGHT BY JEF LAMBEAUX
NIGHT
BY JEF LAMBEAUX
Description:
Sculpture in white Carrara marble representing a woman with a baby on its shoulder. Par le sculpteur belge Jef Lambeaux (1852 – 1908).
Material:
-
- White Carrara marble.
Dimensions:
-
- Height : 128,50 cm
- Length x Width : 47,50x 36,50 cm
Period:
-
- ca. 1900
CUPID AS A FISHERMAN BY PIERRE PUYENBROECK
CUPID AS A FISHERMAN
BY PIERRE PUYENBROECK
Description:
White marble sculpture by Pierre Puyenbroeck (1804-1884). Sculpture in white Carrara marble depecting a cupid dressed like a fisherman, holding a net and carrying a bag.
Material:
-
- White Carrara marble.
- Original Column : Walnut Root and tablet in “Noir de Mazy” marble
Size:
-
- Height : 84,00 cm.
- Length x Width : 50,00 x 36,00 cm.
Period:
-
- ca. 1870
The Standing Bear by Maximilien-Louis Fiot
“The Standing Bear” by Maximilien-Louis Fiot
The sculpture by Maximilien-Louis Fiot depicts a bear, mouth open, standing on its two hind legs. The posture and the detailed musculature of the animal perfectly illustrate the bear’s power. The subject, with its ears laid back, seems ready to fight or at least to intimidate anyone who approaches.
The Standing Bear » by Maximilien-Louis Fiot (Tourraine, 1886 – 1953)
The sculpture by Maximilien-Louis Fiot depicts a bear, mouth open, standing on its two hind legs. The posture and the detailed musculature of the animal perfectly illustrate the bear’s power. The subject, with its ears laid back, seems ready to fight or at least to intimidate anyone who approaches.
The artist Maximilien-Louis Fiot masterfully plays with the different textures and materials that make up the animal. The bear’s fur, to which the sculptor has added movement, and the shade of the patina, reminiscent of the animal’s natural coat, are particularly noteworthy. Additionally, the attention to detail in the bear’s mouth, such as the fangs, makes this sculpture even more impressive.
This model is a unique workshop piece that has never been on the art market for the past 40 years. The sculpture has been carefully kept within a French family, possessing a significant private collection, for three generations. “The Standing Bear” is therefore a highly prized and extremely rare work by the artist.
The French sculptor Maximilien-Louis Fiot (Tourraine, 1886 – 1953)
Maximilien-Louis Fiot, known as Maximilien Fiot (1886-1953), is distinguished as a renowned French sculptor. Trained under the sculptor Prosper Lecourtier, he made his debut at the Paris Salon between 1910 and 1914. As an active member of the Salon des Artistes Français, he was awarded a third-class medal in 1911, followed by a second-class medal in 1923. Specializing in animal sculpture, Fiot contributed, during the interwar period, to the creation of war memorials, like many artists of his time. In 1930, he created for La Ferté-Alais, where his mother resided, the work entitled « The Lion Watching Over the Children Who Died for the Fatherland ».
The artist M.L. Fiot favored representations of animals, such as birds, dogs, cats, and various wild animals including wolves, deer, lions, and panthers. His artistic approach is decidedly modern, characterized by a dynamism and simplicity that set him apart from other sculptors of his time, who were often more inclined to adopt a static style inspired by Art Deco. Fiot’s bronze works are particularly remarkable for their capture of movement, imparting a vitality and impressive realism to his subjects.
- Sculpture : 41,00 x 31,50 x 21,50 cm
- Bronze with patina sculpture.
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