ALBERT PATRISSE · (1892-1964)
Girl and Lamb
technical sheet
| ARTIST | Albert Patrisse |
| DATE | first half of 20th-century |
| DIMENSIONS | 28 x 49 x 14 cm |
| MATERIAL | White Carrara marble |
| SIGNED | “PATR” |
| PROVENANCE | Belgian private collection |
about the work
This sculpture portrays a tender and emotive scene of a young girl seated, embracing a lamb. The female figure is depicted nude, seated in a relaxed posture with her legs extended in front of her. Her right arm rests gently across her thighs, while her left arm is raised, softly holding the lamb’s head against her cheek. The young woman gazes at the animal with affection, creating an atmosphere of calm and tenderness.
The lamb, rendered with finely detailed contours, appears to nestle against her, reinforcing the emotional connection between the two figures. The composition is set upon a rectangular base, perhaps evoking a bed of straw or a natural surface.
This work captures a moment of serenity and affection, symbolising innocence, purity, and the harmonious bond between humanity and nature. The delicacy of the modelling and the fluidity of the forms attest to the artist’s technical mastery, enabling him to convey deep emotion through a seemingly simple and peaceful scene.
the ARTIST
Albert Patrisse
1892 – Valenciennes, 1964
Born into a modest family, Albert Patrisse remained throughout his life a man of humility, guided by values of selflessness, solidarity, and integrity. He studied under Élie Raset in Valenciennes from 1906 to 1912, then under Jules Coutan at the École des Beaux-Arts in Paris. Four years later, in Paris, he joined the studio of Félix Desruelles, becoming both his pupil and collaborator, before officially enrolling at the École des Beaux-Arts the following year.
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